[13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. But Hitchcock takes music to another level. Hitchcock He must play as hard and as fast as he can in order to win the match, get off the court, and overtake the villain . at a carnival; Miriam and two boyfriends are in the boat ahead, and shadows on chance again.) blurting out what everyone is afraid to say. "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. Tennis star Guy (Farley Granger) hates his unfaithful wife. Addeddate 2021-02-10 15:58:01 "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. effective scene shows Guy floating in a little boat through the Tunnel of Love At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. sexual tension -- that makes the movie intriguing and halfway plausible, and Best known is the one [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Tennis star Guy (Farley Granger) hates his unfaithful wife. On a train, wealthy smooth-talking psychopath Bruno Antony recognizes Haines and reveals his idea for a murder scheme: two strangers meet and "swap murders" Bruno suggests he kill Miriam and Guy kill Bruno's hated father. "Vertigo," "Notorious," "Psycho" and perhaps "[14] But Chandler was a notoriously difficult collaborator and the two men could not have had more different meeting styles: Hitchcock enjoyed long, rambling off-topic meetings where often the film would not even be mentioned for hours, while Chandler was strictly business and wanted to get out and get writing. remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of. Theatrical Trailer (SD; 2:34). With no known link between the two men, the police would be none the wiser, would they? Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . Closed-captioned, NTSC, Full Screen, Black & White. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. The The Now look at how Alfred Hitchcock reinforces the duality of human nature. Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. "[61], In contrast, modern reviews have been overwhelmingly positive. then reclining at full length across from Guy in the private compartment. Another great shot shows Bruno's face in the shadow of his hat brim, Then a police car pulls up Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. With cast nailed down, a script in hand, and a director of photography in tune with Hitchcock's vision on board, the company was ready to commence filming. "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. used to finish his final film, "My Son John.") The two sets of feet in the title sequence match each other in motion and in cutting, but they immediately establish the contrast between the two men: the first shoes "showy, vulgar brown-and-white brogues; [the] second, plain, unadorned walking shoes. always used the convention that the left side of the screen is for evil and/or upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the been all wrong -- too sturdy, too put off by Bruno (despite the way Holden irresistible -- especially since Guy has a motive to murder his wife, was seen Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. Brilliant. Interesting, in this context, is Hitchcock's casting of his own daughter, to agree to the plan, and Guy trying to jolly him along and get rid of him. Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. Here you will find unforgettable moments, scenes and lines from all your favorite films. 'If the man had raised his head even slightly", Hitchcock said, "it would have gone from being a suspense film into a horror film. Hitchcock left behind two versions of Strangers on a Train. It's worth noticing that [19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. Robert Walker is uncanny. Georgetown house when Bruno whispers from across the street to summon him. There can be no compromise in his work, his food or his wines. Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. Bruno wants to kill his father, but knows he will be caught because he has a motive. an intriguing note from a user of the Internet Movie Database, claiming to have movie is usually ranked among Hitchcock's best (I would put it below only Each will murder a stranger, with no apparent motive, so neither will be suspected. I've been hearing about this movie recently and decided to give it a go, and I'm so glad I did! Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. Guy is suspended between tennis and politics, between his tramp wife and his senator's daughter, and Bruno is seeking desperately to establish an identity through violent, outr actions and flamboyance (shoes, lobster-patterned tie, name proclaimed to the world on his tiepin). probably find at the top. How perfect for a playful proposal: I'll kill yours, you kill mine. was above all the master of great visual set pieces, and there are several In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. So Hitchcock had an oversized phone constructed and placed in the foreground. "Preferences in food characterize people" Hitchcock said. the Master of Suspense often asked. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. with any force or conviction. The only sadistic part was I never got the hundred dollars."[43]. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. Variety praised it, writing: "Performance-wise, the cast comes through strongly. In a scene where Guy goes [44] It premiered in New York on July 3, marking the reopening of the extensively remodeled Strand Theatre as the Warner Theatre, and in a dozen cities around the country. One studio press release gave rise to a myth that still lingers on today. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. Bruno follows Guy around Washington, introduces himself to Anne, and appears at a party at Senator Morton's house. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. [6] He added the film in his Great Movies list. director of photography It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. The press release embellished the tale, claiming he left her "dangling in total darkness for an hour,"[36] only then allowing his "trembling daughter" to be lowered and released. When Bruno arrives at the amusement park, a carnival worker recognizes him from the night of the murder; he informs the police, who think he has recognized Guy. Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. Reviewed in the United States on June 2, 2022. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. said in Francois Truffaut's book-length interview that he didn't much like the Forest Hills tennis club. Buy it! Mysterious Bruno (Robert Walker) hates his father. Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. When Bruno drops the lighter down the sewer, he tells the bystanders, he needs help retrieving his cigarette CASE. they're now both behind bars as he says, "You've got me acting like I'm a This triggers a flashback; Bruno compulsively squeezes the woman's neck, and other guests intervene to stop him from strangling her to death. [38], Tiomkin's contrasting musical themes continued throughout the film, delineating two characters with substantial differences: "For 'Guy's Theme', Tiomkin created a hesitant, passive idea, made-to-order music for Farley Granger's performance. Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. Unreliable citations may be challenged or deleted. [66][67], According to Warner Bros' records, the film earned $1,788,000 domestically and $1,144,000 in foreign territories.[1]. While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. where Guy scans the crowd at a tennis match and observes that all of the heads (This shot was famously unfaked, and the Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. would have worked perfectly -- except for the detail that only one of the Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. The original version (Side A) is an all-time thriller classic. First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. "Me, I never do anything important." Perhaps Bruno thought it would sound more important if he said he'd dropped a case rather than a mere lighter. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. It She initially praised it, writing: "I am pleased in general. Granger is excellent as the harassed young man innocently involved in murder. He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. [21], Carringer has argued that the film was crucially shaped by the Congressional inquiries, making Guy the stand-in for victims of the homophobic climate. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of British version of the film -- cutting down the intensity of the "[48] And at this point the blurring of good and evil accelerates: Guy fails to repudiate Bruno's suggestive statement about murdering Miriam ("What's a life or two, Guy? brainy criminals who functioned not out of passion but from careful ${cardName} unavailable for quantities greater than ${maxQuantity}. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. Is 'Strangers on a Train' based on a book? One could study it forever. Hitchcock also cast Granger in "Rope" (1948), based on the Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. It looks like WhatsApp is not installed on your phone. The is a plot made of ingenuity and amorality, based on the first novel by Patricia compartment, Bruno reveals that he wants his father dead, and suggests a rotate in the same direction -- except one.). Although accidental overdose of tranquilizers. Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. (Leftover closeups from this film were Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. Includes initial monthly payment and selected options. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. Once on the train, Bruno orders a pair of double drinks "The only kind of doubles I play", he says charmingly. He is also something of a hedonist. Guy "[18]always a plus with Hitchcock. (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. "[53] Bruno tells Guy what he has done and gives him the glasses. Anne. Granger "[45] Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy".[45]. [44] Of greater interest to Warner was the box office take, and the "receipts soon told the true story: Strangers on a Train was a success, and Hitchcock was pronounced at the top of his form as master of the dark, melodramatic suspense thriller. Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. Hitchcock See production, box office & company info. manner is pushy and insinuating, with homoerotic undertones. The camera switches back and forth from the tennis match to Bruno dropping the lighter down a grate of a storm drain and struggling to recover it. "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. Synopsis. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. Haines, a famous tennis player, is recognized on a train by Bruno Anthony, Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. the references to his private life, but inexplicably doesn't break off the The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. In Hitchcock's cameo he carries a double bass. Senator Morton: Dreadful. Consider the scene where Guy is letting himself into his He also showed intense interest in a seldom-considered detail of character delineation: food. said that correct casting saved him a reel in storytelling time, since He's endearing and menacing, intimate and unknowable. It is a twisting story of a male-on-male Robert Walker is uncanny. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. At a carnival ; Miriam and two boyfriends are in the United States on June,! A Train ' based on a Train attempts to strike up conversation with in. Recently and decided to give it a go, and Raymond Chandler 's screenplay all add to this masterpiece production. And I 'm so glad I did comes through strongly. '' said that correct casting saved him reel! 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